- / Professions of the Giants
- / Mellita
- / Goddess Making
- / Saturday is Alright to Fight
for Your Rights
Independent and innovative filmmakers from around the world have been selected to show weekly for the duration of Malta Biennale, giving voice to diverse, daring, original works that straddle creative documentary, personal essay, animation and experimental.
The films have been selected to further delve into the themes and concerns of the biennale’s Main Exhibition: The Matri-archive of the Mediterranean selected screenings proposed a radical reshuffling of the archiving process with a ‘feminine’ slant; the Can you Sea? The Mediterranean as a Political Body selected screenings touched on displacement and the migration of peoples; Decolonizing Malta, Polyphony is Us selected screenings contributed to the decolonizing debate; and lastly, The Counterpower of Piracy selected screenings brought to the fore alternative, radical modes of identity and ways of being.
SCREENINGS: Dream Journal by Jon Rafman / Pickled City by Yaloo / Filmlab Palestine / Il-Budaj – Bejn is-Sema u l-Art by Adrian Camilleri / Stambeli, The Spirits’ Last Dance by Augustine Le Gall / She is the other gaze? by Christiana Perschon / Baħar Biss (Just sea) by Franziska von Stenglin / Displacement Malta by Andreco / Demonic by Pia Borg / Takiwā Hou: Imagining New Spaces / What about China? by Trinh T. Minh-ha / A Fidai by Kamal Aljafari / Точка . Зору (Point of View) by Vadim Dumbest / Hello Dankness by Soda Jerk / N’Importe Quoi (for Brunhild) by Luke Fowler / Being in a Place – A Portrait of Margaret Tait by Luke Fowler / The Last of the Black Sea Pirates by Svetoslav Stoyanov / Orlando ma biographie politique by Paul B. Preciado
Malta
Biennale
PUBLIC SCREENINGS
Independent and innovative filmmakers from around the world have been selected to show weekly for the duration of Malta Biennale, giving voice to diverse, daring, original works that straddle creative documentary, personal essay, animation and experimental.
The films have been selected to further delve into the themes and concerns of the biennale’s Main Exhibition: The Matri-archive of the Mediterranean selected screenings proposed a radical reshuffling of the archiving process with a ‘feminine’ slant; the Can you Sea? The Mediterranean as a Political Body selected screenings touched on displacement and the migration of peoples; Decolonizing Malta, Polyphony is Us selected screenings contributed to the decolonizing debate; and lastly, The Counterpower of Piracy selected screenings brought to the fore alternative, radical modes of identity and ways of being.
- / Public Program
- / Public Screenings
- / Rethinking Lampedusa, Rethinking Malta
- / Mobile Photo Studio
- / In-nisa jissalvaw id-dinja
- / Professions of the Giants
- / Mellita
- / Goddess Making
- / Saturday is Alright to Fight for Your Rights
- / Exploring Globalization and Maltese Identity Through Art
- / Malta Biennale, Insulaphilia